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IKUWA 8: Abstract submission form

Submitter data
The submitter data is only used to inform you on the selection of your abstract. If you are also the first (or other) author of the abstract, please add your name to the authors list.
Active participation
Type of participation
Indicate the type of participation for which you wish to submit an abstract. Only one option can be selected.

Please note: if you apply for a 20 minute presentation (option 1) and your abstract is not selected by our jury, you will automatically receive a scientific poster (option 2). You will be informed on the decision of the jury by e-mail to the submitter.
Select the session(s) to which your abstract belongs - the final decision will be made by the organisation
A1. Bringing the UCH to Life (Alison James)
A2. History of Maritime Archaeology (Lauren Tidbury)
A3. Sustainable Tourism (José Bettencourt)
A4. Maritime Collections (Corioli Souter)
B1. Australian Way of Integrating the Public (Andrew Viduka)
B2. Maritime Heritage Societies (Markku Luoto)6
C1. UCH in the UN Ocean Decade (Georgia Holly)
D1. Underwater Landscapes of the Ancient Meditterranean (Mari Yamasaki)
D2. Coastal Maritime Landscapes (Soetkin Vervust)
D3. Submerged Prehistoric Landscapes in the Face of Development (Simon Fitch)
D4. The Double Narrative of Man and Water - Approaches and Perspectives (Martina Seifert)
D5. Prehistoric Human Landscapes are Hidden in Rivers, Lakes, and the Sea - Considering the Seemingly Impossible Possible and Finding Interdisciplinary Explanatory Models (Harald Lübke)
E1. River versus Climate Change (Marion Foucher)
E2. River and Inland Water Archaeology: Exploring submerged and Watercourse-Linked Cultural Heritage (Cécile Ansieau)
F1. Intertidal Cultural Heritage (Jan Trachet)
F2. Fish Weirs (Paul Montgomery)
G1. Caulking and Luting (Kristof Haneca)
G2. The Lost Navy (Patrik Höglund)
G3. Trying not to Sink (Thierry Boyer)
G4. Archaeology and History of Medieval and Early Modern Cargo Ships in the Baltic Sea (Riikka Tevali)
G5. Water Supply Points in the Maritime Trade in the Age of Sail in the Mediterranean Sea and Beyond (Manuel Fumás Soldevilla)
G6. Ship Iconography from Prehistory to Modern Times (Zaraza Friedman)
H1. Maritime Archaeology of the Arab World (Lucy Semaan)
H2. Asian Underwater Archaeology (Sarah Ward)
H3. Early Watercraft, Traditional Navigation Practices, and Indigenous Maritime Landscapes in the Americas (Elena Saccone)
I1. From Local to Global (Sarah Ward)
J1. Toxic Legacies (Matthew Skelhorn)
J2. Maritime Heritage in the Service of Environmental Action (Katerina Velentza)
J3. Offshore Renewables and Maritime Archaeology (Mark James)
K1. 3D Modelling (Johan Opdebeeck)
K2. Deep Sea Archaeology (Carlos del Cairo Hurtado)
K3. Digital Reconstruction of Shipwrecks (Nathan Helfman)
L1. UCH Management in World Heritage Sites (Arturo da Silva)
L2. Underwater and Maritime Heritage Management (Pedro Barros)
L3. Heritage Crime (Alison James)
M1. Inventorying UCH: An Old Challenge (Anais Dimeglio)
N1. Scientific Contribution of Archeology in the Context of Territorial Planning in the Maritime Sector: Results, Methods and News (Nicolas Bigourdan)
O1. Preserving of UCH (Jordy Moies)
P1. Make the 2001 Convention Universal to Address Current Challenges and Emergency Situations (Edouard Planche)
Abstract
Please enter the title of your abstract in sentence case. Plain text. Only italic, subscript and superscript are allowed.
 
Plain text. Only bold, italic, subscript and superscript are allowed. Abstract length: min. 250, max. 350 words
Please enter 5 to 7 keywords with Capital and separated by a semicolon (; )
First author
this field autocompletes the author information with data from ORCID.org

the ORCID ID can be found via https://orcid.org/orcid-search/search  
Affiliation
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